In order to understand the social and dynamic significance of modern dramatic art it is necessary, I believe, to ascertain the difference between the functions of art for art's sake and art as the mirror of life. Art for art's sake presupposes an attitude of aloofness on the part of the artist toward the complex struggle of life: he must rise above the ebb and tide of life. He is to be merely an artistic conjurer of beautiful forms, a creator of pure fancy. That is not the attitude of modern art, which is preeminently the reflex, the mirror of life. The artist being a part of life cannot detach himself from the events and occurrences that pass panorama-like before his eyes, impressing themselves upon his emotional and intellectual vision. The modern artist is, in the words of August Strindberg, "a lay preacher popularizing the pressing questions of his time." Not necessarily because his aim is to proselyte, but because he can best express hims...
(From our Victorian Correspondent) The unemployed, to the number of about 5,000, have been holding their periodical agitation in Melbourne. Anarchists, of course, have taken the opportunity to address them; but the movement is in the hands of Suite Socialist agitators, who do not conceal the fact that they are trying to get into Parliament. Nothing much has been gained by appealing to the Government. The Salvation Army established a labor bureau and gave food to those who stood in need of it, and the Government officially recognized them as the medium of communication for the unemployed, the officers of the State being instructed to make inquiries as to openings for labor in their districts and furnish the Army with detailed information. Th... (From : AnarchyArchives.)